“Briana has one of the most important talents an editor can have—the gift of sight.”

— Jana Smith, Tribeca award–winning filmmaker and writer

Briana is a freelance editor, copywriter, and manuscript consultant. She’s worked with literary magazines, independent publishers, established writing programs, and individual clients.

  • I began my literary Citizen journey as an editorial fellow with Guernica magazine back in 2019. Since then, I have also worked as a contributing editor, and managing editor for Seventh Wave's annual literary magazine; an editor-in-chief for the Seventh Wave’s inaugural Community Anthology cohort; a creative nonfiction mentor for the low-res MFA program, PocketMFA; an editor & storyteller for the independent press Milkweed Editions. Currently, I am the senior editor of prose at Seventh Wave, a line editor with Black Girls Who Edit, and a critique group instructor for the womxn-centric digital community space, HerStry magazine. 

    • Editing Electronically, Chicago Manual of Style

    • Introduction to Acquisitions Editing, Chicago Manual of Style

    • Advanced Manuscript Editing, Chicago Manual of Style

    • Intermediate Manuscript Editing, Chicago Manual of Style

    • Basic Manuscript Editing, Chicago Manual of Style

    • Creative Writing Certificate: Paris Writing Intensive

    • MFA Fiction & Nonfiction Writing, The New School

    • BA Creative Writing, Sarah Lawrence College

    • Academic Application Support (Undergraduate & MFA programs etc.)

    • Accountability and Generative Exercises

    • Artistic Application Support (residencies, retreats etc.)

    • Beta Reading

    • Book Coaching

    • Book Proposal Writing

    • Copyediting

    • Developmental Editing

    • Editorial / Publishing Consulting

    • Fact Checking

    • Interviews

    • Line Editing

    • Proofreading

    • Sensitivity Reading

    • Substantive Editing

    • Technical Editing

    • Interviews

    • Publishers Panels / Q&A’s

    • Speaking Engagements

    • Workshop facilitation

  • When it comes to providing feedback, I’m interested in sitting with the way a work has changed me before making suggestions on how to change it. There is no one-size-fits-all approach for me, as I’ve learned that some writers can find success in breaking the rules, while others might benefit more from a sense of increased structure. In this way, I think of my approach as more intuitive than instructional.

    Through my own trials and tribulations as a writer, I’ve found that the point-blank, assertive “do this, cut that” approach can often feel alienating and unnecessarily critical, so as an editor and mentor, I aim to guide from a place of openness and generative questioning. I won’t tell you what I think I know about your work; I’ll treat our time together as an ongoing conversation rife with discovery. I’ll get to know you through your words on and off the page, and help you examine where the pulse of your piece is. Through these gentle interrogations, I hope to push you outside of your comfort zone, and to reaffirm your belief in this process—but most importantly, I hope to remind you that you are always in control of your own story, and you will have the ultimate say in the final shape of your work.

  • I’m thrilled to work with all kinds of writing, but I’m especially interested in supporting the words of emerging marginalized artists and amplifying urgent and untold perspectives across the genres of poetry, fiction, creative nonfiction, and hybrid work.. If you believe working with me will be nourishing and beneficial to your creative process, I’m interested in working with you.

My editorial approach:

My approach to editing, educating, and facilitating centers a philosophy of leading with curiosity and embracing the possibilities that arise from generous, non-hierarchical dialogue. I hope to engage in generative and transformative collaboration with every artist I encounter.

My editorial portfolio:

In 2023, I was the editor-in-chief for Seventh Wave’s Community Anthology, “On Permanence,” a digital folio showcasing 9 writers and artists.

Among the voices featured in my anthology are an Afro-Caribbean scholar dedicated to revivifying Haitian lore; a first-generation Nevada-born witch reclaiming power from the depths of intergenerational trauma; and a Filipina/-American/Mestiza poet investigating what lives in the negative spaces of erasure. These identities may appear disparate from one another, and yet their work—poems, hybrid pieces, essays, art, and short stories—sings in collective harmony, joined together across time and space by the evocation of a single powerful word: permanence.

Featured artist & testimonial spotlight:

Briana is an insightful, upbeat, and attentive editor, and a generous reader. She offered considerate and astute input on the structures, images, and arguments in my prose. Her thoughts on how to handle time and associative thought in essays has been invaluable. Even the further reading recommendations she shared were relevant and high caliber.
— Maya Marshall

Maya Marshall is a poet, essayist, editor, and professor. Winner of the 2024 Holmes National Poetry Prize awarded by the Lewis Center for the Arts’ Program in Creative Writing at Princeton University, Marshall is the author of the poetry collection All the Blood Involved in Love (2022) and the chapbook Secondhand (2016).

She is the recipient of grants and fellowships from MacDowell, Cave Canem, Sewanee's Writers' Conference, Bread Loaf Environmental Writers' Conference, Vermont Studio Center, and Emory University, among others. Her poems and essays have been published in or are forthcoming in numerous collections and publications including Prose for the People (Penguin Random House, 2025), American Poetry Review, the Rumpus, Prairie Schooner, Boston Review, Poets.Org, Split This Rock, and Best New Poets. Marshall co-founded underbelly, the journal on the practical magic of poetic revision; she is also the current Poetry Director of Haymarket Books, where you can purchase her latest collection of poems.

A few more words from past writers:

Past & current collaborators: